Emerging artist PM makes his mark with a debut single release on Little Rascal Records. Showing a wholesome hint of what’s to come from this producer hitting the scene,. Hieroglyph is a pacey roller with maximum bass and breakdowns n drops. From the sounds weaved into the fabric of the track, they remind us of the great builders of the Ancient Pyramids and their knowledge of others from other worlds revealed in their hieroglyphics.
[exclusive at junodownload for 1 ‘day out of time’ – 02.29.2016 – Hanub Ku 0.0]releases March 01, 2016
Featuring : HIGH MAINTENANCE (AUDIOPORN RECORDS,UKF DNB, UK) KILLAFOE (ROTTEN RECORDS, HYPNOSIS RECORDINGS, PLAY ME) Local Support: INVICTUS (DNB) REXOP (DNB) TRVMP (TRAP) JAAWA (TRAP)
MCS : BAD C // RTILARY // HASTE12 December 10 pm – Late $25 Presale // More on the Door Drink specials Such Party WOW
High Maintenance : https://soundcloud.com/highmaintenancednb 2011 was a breakthrough year for High Maintenance. As well as releasing his debut single on Audioporn Records, ‘With You /Nowhere’. High Maintenance’s reputation as a DJ also came to the forefront with blazing sets on stage at Beatpatrol, D&BTV, Panda Drum & Bass YouTube, and Annie Nightingale’s BBC Radio 1 Show.
Forbidding the momentum to slow, High Maintenance made his mark on 2012 with the release of his ‘Never Enough’ EP on AudioPorn Records. The official music video for the titular track, ‘Never Enough’ was uploaded to UKF Drum & Bass and went on to receive hundreds of thousands of views.
High Maintenance isn’t one to be confined by genre and firmly cemented his status as a talented producer at the top of his game yet again in 2013 with the release of his highly anticipated 5 track ‘Watching Me EP’. Combining soulful liquid sensibilities with dance-floor-damaging energy, this EP proved yet again High Maintenance’s effortless ability to take on any tempo from drum and bass to drumstep and dubstep. The titular track was a collaboration between High Maintenance and fellow AudioPorn Records alumni, Mediks. ‘Watching Me Ft. Georgina Upton’ was favourited by BBC Radio 1 DJs and playlisted by BBC 1Xtra.
Keep your eyes peeled for this talented producer as he continues to rise to the top of the electronic music scene in 2014!
Killafoe : https://soundcloud.com/killafoe
For Perth inherited Evan Scott- the skateboarder behind the profile of Killafoe- music has pumped its concentrate through his bloodstream since the early days. Brewing a musical monster from his early punk and funk days, it’s his present profile that has conjured up the rudest sounding trap, dubstep and drum and bass hues to hit your speakers.Taking over Australia with his heavy sounds, the deadly enemy thud reaches avid bass enthusiasts far and wide with tunes out on Play Me 2, Hollow Point, Hypnosis and JD4D Records. In 2011 the Beatport dubstep charts witnessed the EP ‘Street Credit’ from Evan bruise the ladder bringing his artistry to the forefront. The recent track ‘Alone’ with Kira Annelies out on JD4D Records is set to blow an underground explosion with heavy remixes from Fytch, Phrenik, 1UP, J.Nitrous- a regular collaborator on Killafoe studio antics.
On the remix tip, Evan has seized the studio with officials for SPL & Babylon System for ‘Gangster’ out on Hollow Point Records, while the bass line has rumbled on the official duty for ‘Overtime’ for Packer & Rhodes featuring Thavy on Interphase Recordings. Its no surprise 2012 saw Killafoe take the stage for the Perth Dance Music Awards sweeping up the deserved award for Best Producer.
Closing the studio door and stomping inside the DJ booth, he has taken to the likes of Stereosonic, Creamfields, Parklife and some of Perth’s biggest Inhibit Entertainment events to hit the west coast. Pulverizing a wicked spot on the Ministry of Sound – Sound of Dubstep tour with Borgore, lifted the Killafoe tune and took it to the right places. On the bass summit, the bass lining genius has shared the speakers with some of the industry’s most intense tune droppers from Datsik to Bro Safari, to Excision, Nero and delta Heavy.
With a roaring energy be it in the studio or in front of dripping crowd, Killafoe is sending tremors from miles away.
DNB in MANDURAH CITY – AWESOME! – ‘rascal recommended’
Jungle legends really don’t come any bigger than Ray Keith. Dread founder and all round agenda-setter, here we find him unleashing some long-awaited originals. “Greedy Me” takes a well-known vocal and lays it down gracefully over a rush-fuelled full throttle breakbeat groove. “Going In Hard” contrasts this completely with industrial strength and halfsteps that wouldn’t go amiss on Exit. Further on, “Waste Man Dem” is a Dub Phizix-style vocal cut from Ray’s Renegade Live outfit while “Dub 1″ is a turbo charged homage to synths with cool use of a Roberta Flack vocal. Each one of them primed for destruction, it’s clear Ray hasn’t lost his touch.
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